Rock art, Bhimbetka, Mesolithic era, among the oldest instances of media in India. Bhimbetka's rock art, the oldest in the world, originally made by Homo erectus, dates back 350,000 years
Rock art, Bhimbetka, Mesolithic era, among the oldest instances of media in India. Bhimbetka's rock art, the oldest in the world, originally made by Homo erectus, dates back 350,000 years
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   Maniben alias Bibijaan  

 Via Media
  Vol IV : issue 2

  Robin Jeffrey
  Paul Zacharia
  Antara Dev Sen
  Hemant Divate
  Khalil I Al-Fuzai
  
Shilpa Paralkar
  Only in Print

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A homely tale from Narendra Modi's neck of the woods
Shilpa Paralkar

Mixed media by SABA HASAN

Manu stared at his wife of three weeks. "Are you crazy?" Sejal refused to be cowed down. "If you donít believe me, come home in the afternoon and see for yourself." Manu smote his forehead and looked heavenwards for help. They were standing at the bus stop. Luckily, at this time of day, there werenít too many people around.

He spoke clearly and slowly, as if speaking to one of his particularly slow students. "Are you trying to tell me that my motherÖ Maniben Parekh, whoís 62 years old, whoís been a widow for the last 30 years and who hasnít stepped out of the house for God knows how many years, is entertaining a man in the house every afternoon?"

"Yes."

Manu shook his head in disbelief at his wifeís wiles. "Look, Sejal," he tried to reason with her, "I told you that we would go on a honeymoon as soon as I can afford it."

"He calls her Bibijaan. Every Thursday afternoon, she makes sheer kurma. And she doesnít give me any."

"You mean heís aÖ?"

"Yes."

A triumphant Sejal hefted her bag and leaned more assuredly against the railing. She knew she had her husbandís attention now. Manu, the young and promising secretary of the Gujarat Yuvak Bajrang Dal, looked like he had been whacked across the face with a folded parasol.

"You arenít joking?" Manuís voice was weak and hoarse, but hopeful. Sejal shook her head and was about to reveal some more details about his motherís afternoon escapades when Manu stopped her with a desperate gesture. He looked around for a quiet place to sit down. He needed to think. By himself. Without Sejalís smirking face crowding his thoughts.

Manu Parekh taught ninth standard elementary physics at the Shishugriha Vidyalaya in Ahmedabad. Not a particularly bright young man, he was nevertheless a reasonably popular teacher. His neatly parted black hair, ascetic features and polite voice never failed to make an impression on the parents of his students. And this was also why they sent their children to him for Ďtuitioní, and not to the gruff, pock-marked and impatient Joshi Sir.

Joshi was far more intelligent and a much better teacher, but it was Manu who made the extra 400 rupees every month. Teaching Boyleís Law and Archimedesí Principle to coy, simpering 13-year-olds who giggled at everything he said, even as his mother frowned at them from behind the kitchen door.


The next day, the milkman did not come. Manu stayed home. So did a lot of people from the chawl. There was much whispering in the corridors, punctuated by bursts of raucous laughter. Young boys would suddenly run out of the chawl and just as suddenly rush back in. A blackboard with some digits had been put up on the ground floor. And the numbers kept rising through the day

Manuís mother frowned at everything. She frowned while lighting the lamp in front of her dead husbandís photograph every evening. She frowned at the milkman who always managed to spill a few drops outside the door. She frowned at the neighbourís children who ran up and down the common corridor, rattling the shaky window frames with their fingers.

So when Manu walked into the house on the evening of March 3, 2002, carrying a largish brown box, she looked at his feet and frowned.

"Your chappal is broken. Why didnít you get it mended on the way?"

"Huh? Oh, yes." Manu looked around for a place to put down the box. His mother, still frowning, cleared away her sewing and watched impassively as her son pulled up the cardboard flaps, lifted out a television set and put it on the bed.

She peered at it for some time and then shuffled into the kitchen to look to her kadi. That night, as she gathered the washing, she noticed that the brown shirt Manu had been wearing that day had a long, black, sooty smear down the left sleeve. It came off on her thumb, and she frowned.

The next day, the milkman did not come. Manu stayed home. So did a lot of people from the chawl. There was much whispering in the corridors, punctuated by bursts of raucous laughter. Young boys would suddenly run out of the chawl and just as suddenly rush back in. A blackboard with some digits had been put up on the ground floor. And the numbers kept rising through the day.

Every now and then, Manuís friends from the chawl dropped in to see the television set. As his mother watched disapprovingly, they nudged and backslapped Manu, who revelled in their admiration. After Manu had gone out with his friends, his mother finally mustered up enough courage to switch on the TV set.

The screen flickered for a few seconds and then the face of an old Muslim man about the same age as Manuís mother filled the screen. He was in the traditional Muslim cap and was weeping bitterly.

Manuís mother frowned and tried to change the channel. But the Muslim fellow wouldnít go away. A little perturbed, but not too much, Manuís mother switched the TV off and went into the kitchen to cook. When she switched the TV on again in the afternoon, the Muslim man was still there, crying. She sat down on the bed, puzzled.

After a while, the man stopped weeping and looked up. "Iím thirsty. Can you give me a glass of water?"

Manuís mother simply stared at him. He burst into tears again, mumbling incoherently about ingrates who took TV sets from his shop but denied him water. Manuís mother got up, closed the two windows that opened into the corridor and then handed him water in the cup she reserved for Damu, the chawlís odd-jobs man.

When the man handed back the cup with some water still in it, Manuís mother pursed her lips. "Drink it up. I donít like to waste water."

"Sorry," the man said with streaming eyes, "I always left some for Nafisa. She insisted on drinking water from my glassÖ My granddaughter. Nafisa. She was five. I had taken her along to my shop. Ya Allah, will He ever forgive me?" And he started crying again.

Manuís mother frowned.

"You cry too much for a man."

"Bibijaan, you would cry too if you had seen what they did. They came with lists and kerosene cans. I begged and pleaded, but they destroyed my TV shop, looted it, then locked Nafisa and me in the back room and set us on fire. I screamed. How I begged, ĎLet my grandchild go. Take everything, but let her go.í But they only laughed. And Bibijaan, they even fought with each other over who would take the bigger TV sets."

Manuís mother was silent. Then she said: "Donít call me Bibijaan."

The man wiped his runny nose on his sleeve.

"OK, I wonít."

In the evening, as usual, Manu came back and watched the news, MTV and a bit of Star Plus.

The next day, after he had left with his friends, Manuís mother switched on the TV set. The Muslim man was reading the Quran. "Salaam Walekum. Shall I read it out loud?"

Manuís mother frowned.

"OK, OK," the man said quickly. "I wonít. Donít switch it off."

There was an awkward silence. To fill it up, the man leaned forward and cleared his throat.

"Shall I tell you about my family, then? How my forefathers settled down in Porbandar and started their businessÖ"

Manuís mother was intrigued. Her parents were also from Porbandar. She had grown up there. She had spent a happy, idyllic fourteen years there before coming to Ahmedabad to stay with Manuís fatherís family. She had never liked Ahmedabad. Not then, not now. These days, standing in her dark kitchen, she found herself thinking more and more about her maternal home in Porbandar. The open courtyard. The crooked neem tree. The swing made from her grandmotherís blue and pink checked godadi.

p. 1 p. 2

 
 
Shilpa Paralkar, a new writer, is an advertising professional and lives in Bangalore