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| Frescoes | |||||||||
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Growing
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Dilip Chitre
Hidden in my skull are the caves where the endless Reticular frescoes of my awesome childhood Unroll. Those are the spaces where the banyan trees of Vadodara Vie with the neems and the mango gardens. They were born ancient like me — those banyans With their branch-like roots splayed in empty spaces, With their huge population of ants and worms, Bats hanging upside down. And the public libraries where books printed On what were once forests in Sweden Gave me the world’s unfathomable texts. Baroda is what the British called Vadodara. That’s where my deaf and blind great-grandmother died At the age of 101 — bald, wrinkled, and withered. That’s where we flew kites and learnt to finger The pussies of eager and willing little girls On summer afternoons and always upstairs. That’s where we secretly read manuals of black magic And pornographic books in euphemistic Hindustani In which it was invariably the dhobi’s wife that got laid After washing the whole town’s dirty linen on the ghat. Could I tell those stories now? After sixty years of fermenting in my own vat? Vadodara’s vats are full of such sexy scent!
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Dilip
Chitre is a poet, fiction writer, playwright, painter and filmmaker. Honoured
by the Sahitya Akademi Award, he lives in Pune and writes in Marathi and
English.
This is a part of his new long work, 'Postclimactic Love Poem 1' |
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