|
|
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Satyajit
Ray - Agantuk
(The Stranger) - The complete script of the master's
last film, with production stills by Nemai Ghosh. |
|
Ashok
Vajpeyi - Separate
lives (Essay) - Sectarian
violence like the carnage in Gujarat is calculated to sunder the undivided
Indian family. |
|
Malavika
Karlekar - Growing up in the twilight zone (Essay)
- The journal of an Indian civil servant's daughter reveals rare glimpses
of life during the British Raj. |
|
Jatin
Das - A
retrospective of his work from circa 1960 to the present day. |
|
Amrita
Pritam - The deep sight (Fiction)
- Translated from the Punjabi. |
|
Dilip
Chitre - The fear that revives suicidal brides
(Poetry) |
|
Manglesh
Dabral - A picture of grandfather
(Poetry) - Translated
from the Hindi. |
|
Priya
Sarukkai-Chhabria
- Plant-life-stories (Poetry) |
|
A.J.
Philip - The death of faith (Essay) |
|
Jane
Bhandari - Like Mother (Poetry) |
|
Freddy
Phiroz - Angel (Poetry) |
|
Prasenjit
R. Gupta - Losing it (Fiction, translated from the Hindi) |
|
M.
Mukundan - The boy who knew too much (Fiction, translated
from the Malayalam) |
|
Rajee
Seth - History lesson (Fiction) |
|
Mithu
C. Banerji - Jamun reverie (Fiction) |
|
Alka
Saraogi - Kali-Katha: Via Bypass (Fiction, translated
from the Hindi) |
|
PLUS:
Mapping India - Monitoring
the vital signs of the institution of the family, while Vishwajyoti
Ghosh deals with the backlog. |